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Day 57 - Bang!


Walk in the stage

The bang of my project is the foyer.
From the outside will be incorporated in the straight lines that define the rest of the building, but you have to distinguish the materials that will be discussed. While the rest of the areas will be mostly opaque, the entry will be glazed. And beyond this wall of glass (which could extend up to a skylight) arise unexpectedly a semicylindrical space which will cover the entire height of the building. The other rooms will adapt to the curves of the foyer while retaining their original layout of rectangular, while the square in front of his lines will match, so going to create one with the interior.
As the audience of a greek theater, the plaza will have bleachers and seats bound for a center, in this case, the foyer, separated from the outside by a curtain of glass. And like the rest of the fifth building will be entirely at the service of this center, a stage on which will focus the attention of passersby.

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Day 56 - Summary and a new Fellow Traveller


Post-mo

finally finished the influence avant-garde architecture, facing a new period of openness and innovation. The "Post Modern Architecture", as defined by Charles Jencks in his eponymous essay del'77, is mainly characterized by: an abandoned abstraction in favor of the rediscovery of popular figurative, greater importance of local context in the planning stages and a reinterpretation of the traditional urban models (like the square) .

first exponents of this new architecture, James Stirling and Hans Hollein are characterized both by a new attitude Mannerist. But while the first makes a formal research more monumental and diverse, both in materials and references, Hollein put to the test with underground structures and gives more drama to his work. Share However, the theme of the fragment and the ability to join in a new solution types and forms belonging to the repertoire of more or less recent past.

also because of the petroleum crisis cunt of those years, the race to expand stops and gives way to preserving what exists. In both urban and artistic. They begin to rise to new museums and refurbishing or expanding existing ones. Among those who realize there are those Stirling (State Museum in Stuttgart, 1989) and Hollein (Municipal Museum Monchengladbach, 1982), Zolley with its Museum of the Red Cross 85, whose glass surfaces stand out dramatically against the hill above (and in) which develops, Moneo with the Museum of Roman Art in Merida del'86, which mirrors the look of ancient Roman baths, and Pei with the new wing of the National Gallery of Art in Washington, the '78.

And this building particularly impressed me. In addition to building relations with the opposite (west wing of the museum) with a detailed study of the visual, is arranged around a triangular atrium from the glass roof really interesting. The other rooms are distributed hierarchically around it, which, although excluded from view on the road, stands out all the rest thanks to the treatment of light. Enriched by a series of ramps and swings, this environment is the focus (as well as the bang) of the complex: the harmonious relations with the outside world, is a strong visual impact and takes into account many visitors to the museum, in a context so airy and pleasant can approach works of art without the usual onslaught boring and institutional.

National Gallery of Art Ieoh Ming Pei, Washington 1978 (video on Youtube )

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Day 54 - Partnerships


Partner n.1

Pietro Longhi
Director of the Teatro Manzoni of Italy Theatre and Theatre of Rome

Available participation, first interview took place Saturday, April 24

Partner n.2

Achilles Mellini
Director of Teatro Tirso de Molina

Pending the meeting, set for Thursday, April 29

Partner n.3

Culture Project Zètema
Company total participation of the Municipality of Rome, head of the Roma Tent Theatre Project

Awaiting Reply

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Day 54 - Partner n.1

Pietro Longhi received me in his office, a small room of the Teatro Manzoni. Posters on the walls and the photo of his wife in full view on his desk, surrounded by sheets, and post-it notes. In the distance, the applause for the show, "Mom there's only two" with Paola Quattrini.

"My interest in theater was born with a fifth grade school play in" So begins the story of this man's show, now head of a theater company and director of three Roman theaters, Manzoni, Italy Teatro Theatre and Rome. His passion has grown with him, accompanying him during his long apprenticeship, the sacrifices to break, his great love affair with the wife, widow and ultimate success. The theater is part of him then and it is no longer even a job. "I consider as a family group of people working for me and with me, and I could not use other criteria."

Speaking of my concept, is happy to hear of a Roman theater - that is expected, considering that directs the Rome Theater, which offers its audience a bill of only texts in dialect. The inspiration for this project is twofold. "Lacked a theater in Rome for the Roman drama. And this is an idea. The other is seeing a growth of young authors very well written in Roman language, and which are now represented in many Roman theaters, from the Sala Umberto Comet. "First of all Gianni Clementi." Then I joined the absence of a theater like this emergence of young authors. I made a longer one. And I called Rome. After two months he had 530 subscribers. "

When you start talking about the theater, however, the children's enthusiasm fades and the question becomes more serious. Like his face." Today is an abandoned field. [..] The problem is that teachers lead adolescents to see events related to teaching. And these guys you're going to see a Pirandello and then you do not want more set foot in the theater. And the teacher refuses to take them to shows with contemporary themes. "Speaking of the Teatro Tenda Rome then the tone is very warm. The aim of the project was noble but the execution was questionable." I tell you that the project is a shameful thing. As President Agis - the Italian General Association of Performing Arts - I wrote a harsh letter to Alemanno, since it is one thing that was done without public notice. [..] The commissioner has been bypassed, it was not. Why bring that kind of shows the boys does not mean combat bullying, rather encourage it. "But the problem of theater for young people is also another kind of drama." If we do not have young people who write of their time and their problems, how can we hope to be at the theater? "And this problem is engaging in person. It intends to promote the participation of students in the capital of the courses, which will assist them in the first person to teach them, together with Gianni Clementi, dramatic art.

In any case, it is strongly in favor of the possibility of exploiting the Roman theater in order to capture the attention of young people. "In a time of cultural demotion, there is also a little 'fear of entering a theater official. Bringing them to the theater with their language, but with higher themes, can work for me. "

Ultimately, having to imagine his ideal theater, Pietro Longhi not very unbalanced. After a difficult restoration of the Theatre Italy, which is not satisfied, it is more likely to consider a return to basics. "If I can afford from the Italian theater. [..] From that solution, as perfect acoustics, in that it provides a flexible orchestra pit, so it can accommodate different types of shows .. I think that still remains that the ideal solution. " What counts above all is always the audience. "The public should feel secure in his house. And above all it must be hot." And in conclusion, add a couple of restrictions for the interior. "Never put the flooring on the stage. And do not be like a I met an architect who made the seats blue and orange walls. It was a room uninhabitable. "And I do not have a point.

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Day 50 - New Direction


Given the contamination of the concept of the theater with the sports fields, the program has purchased a multi-functional with which I moved to amend (or specify) the social goal and the goal of the project.

keyword Affecting (interest, involvement, stimulating, emotionally hit) is always at the heart of the program, but first the audience that he intended to apply mainly consisted by foreigners and young, now is the latter category to occupy the Royal Box the theater.

Given the presence of sports facilities within the complex might be interesting to use them as a center of attraction for attracting young people to theater. The bill provided for (international and multicultural) will be revised in favor of this type of audience, aiming more on tradition than on the Roman classical texts. Already a few theaters in the capital have made that choice, in response to the gradual separation from the indigenous cultural heritage of the Romans (as Pasolini had observed towards the center of Rome, guilty of having confined his language and his spirit into the suburbs).

And so their roots to rediscover these lost and more the seventh art accessible to young people that will be built this complex, a theater for new hustlers .

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Day 48 - Crossing n.1


Revised 4/14/2010

- decisive presence of sports, to be integrated with the concept of theater
- operation of sports fields for the still-rebuilding
- hypothetical reformulation the square outside the theater in a court
- the "mess" as inputs
design - potential inspiration from Roman culture (Gabriella Ferri)

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Day 42 - Fellow traveller n.3


Grid 3D

Melbourne Recital Centre and Company Theatre

Melbourne, Australia, 2006-2008

ARM































































































Massing traditional network security

There are two buildings that form the complex under consideration: a center for drama with two rooms, a 1,000 seat, the other 150, and a 500-seat theater without a gallery with a secondary hall with 150 seats. The two buildings are interconnected despite being targeted at a different target. The first is devoted to students of the center and consists of a large box with hole in front almost the second, also has a restaurant, bar and lounge for sponsors, spectators and consists of a solid block more lively bound by a regular mesh tubes bright. Point of interest is the large foyer of the complex of the first block. Organized primarily on the ground floor, totally opaque to the outside, then follow the steps and moves in front, going to be a walk that takes up two floors and overlooks the large double-height windows overlooking the the facade.

Despite the different functions, the study of the design team has maintained that the theme colors (Grid) for both buildings, creating a heterogeneous but firmly united.

For a virtual tour of the building: link

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Day 42 - Fellow traveller n.4


Intersections nodal

Suntory Museum

Tadao Ando

Osaka, Japan 1992-1994






























































































When the heart becomes functional geometric center

know the overall cultural wanted by Suntory, a Japanese liquor, includes an art gallery, a 3D cinema, a restaurant and shops. Each function has its volume: the trunk of an inverted cone that acts as a hinge of the composition is the cinema, while the museum and restaurant each have a rectangular block, with an orientation designed to have spectacular views of the bay of Osaka. All rooms open onto a large hall raised to which access is allowed through an escalator outside. Everything is connected to that bay with a square of 100 meters long, with tiers, now a meeting place and scenery for shows and outdoor concerts.

is interesting to see how the different volumes so far come together to create a harmonious whole, despite the use of different materials: the rectangular blocks are made of prestressed concrete and the truncated cone and covered with a mesh of stainless steel and glass. The careful study of visual architect is a gift to visitors of the building, despite its complexity has a provision of the functions and volumes as to be essential and very well worth living.

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Day 35 - Concepts

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Day 35 - Fellow traveller n.1


Suggestions geometric

EMPAC – Experimental, Media and Perfoming Arts Center

Troy, New York, USA 2004-2008

Nicholas Grimshaw

Different materials and technological innovations in the service of form

The structure houses a training institute that allows students to explore the link between science and art through the study of music, dance and graphics. The building houses a concert hall for 1200 people, a theater with 400 seats in the stalls, two studios and a stage for dance. Next to it stands a block adjacent to a radio station, editing rooms and accommodation for students. The hall is also used for conducting various activities, integration is an area of \u200b\u200beducational and social. The building, which is going to superimpose on the back slope of the hill, has a simple rectangular perimeter, mostly glass, but contains within it a core covered with wood, which is located inside the main hall, whose interior is very rich, including wood paneling, coatings that enhance the acoustics and a spectacular system of marquees to cover the spotlight ceiling. On the main facade of a "pod" contains the scenes of hanging room.

addition to the application of technological systems carried out with extreme discretion, this has the advantage of diversification of forms and materials to achieve a minimalist and refined. Great importance is also given to the foyer and corridors, which here take on multi-functional value. In conclusion a highly functional design with an aesthetic that does not go unnoticed.

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Day 35 - Fellow traveller n.2


Volumes Spartans

Central Los Angeles Area High School for the Visual and Performing Arts

Los Angeles, California, USA, 2002-2008

Coop Himmelb(l)au

How upset the urban landscape with essential materials and simple geometries

This complex of seven buildings housing the School for Visual Arts and Performing Arts, with four internal academies, divided according to the discipline studied. There is also a theater for the performing arts, a library and a large cafeteria. The buildings for classrooms are rectangular, with openings that allow such a visual continuity between inside and outside, while other buildings have volumes more extravagant: the library is approximated to a truncated cone, a theater with a regular set of usual spiral around. Each function has its own form and is related to the others thanks to a remarkable homogeneity of materials: concrete face view and glass panels.

The complex is more appreciated outside of a architectural point of view, urban, affecting the entire landscape of Los Angeles with its bold shapes. Within rather metallic sheen and light enlivening the environment they invade. The building is then readable on two distinctly different scales, one for outside and one inside, who meet only place where the concrete gives way to the glass. Functional hierarchies (and formal) for a complex simple and impressive.