Sunday, May 23, 2010
Reviews Of Brazilian Wax In Canton Ohio
Day 85 - Crossing n.4
Revised 5/19/2010
- the theme of curved surfaces is redefined as an issue of scales
- working on covers
- studying Gehry
- Avoid building environments boxed
- atrium handled by the system pideq
- distinction between closed, open -covered and open-discovered 
Revised 5/19/2010
- the theme of curved surfaces is redefined as an issue of scales
- working on covers
- studying Gehry
- Avoid building environments boxed
- atrium handled by the system pideq
- distinction between closed, open -covered and open-discovered
Sunday, May 9, 2010
What Would Veneers Look Like On Me
Day 75 - BANG!
My new bang is the turning.
From the beginning, I always imagined the building with a clear center: foyer, leading to a formal environment, easy access, that would be distribution hub for the functions related to the theater and the preservation of the Roman.
After some rather strict assumptions volume, related to rectangular shapes and placed too much, I decided to take another route. And with its Gehry Walt Disney Concert Hall in LA was a very important reference. Seeing as the curved surfaces can be well exploited in the distribution of a plant "centrifugal" I applied to my project idea on the same principle. In this way I solved a crucial problem of my project: integrating sports fields to the building. In fact, replacing the safety nets for the outdoor courts with these high surface curved, I could not avoid the practical solution but to look bad and make the same architectural language for these two different functions, theater and sports center. They are also very interesting to create routes with these areas within the building which, if created in a labyrinthine pattern very stimulating, outside cleave the air, just like the propellers of a windmill. 
My new bang is the turning.
From the beginning, I always imagined the building with a clear center: foyer, leading to a formal environment, easy access, that would be distribution hub for the functions related to the theater and the preservation of the Roman.
After some rather strict assumptions volume, related to rectangular shapes and placed too much, I decided to take another route. And with its Gehry Walt Disney Concert Hall in LA was a very important reference. Seeing as the curved surfaces can be well exploited in the distribution of a plant "centrifugal" I applied to my project idea on the same principle. In this way I solved a crucial problem of my project: integrating sports fields to the building. In fact, replacing the safety nets for the outdoor courts with these high surface curved, I could not avoid the practical solution but to look bad and make the same architectural language for these two different functions, theater and sports center. They are also very interesting to create routes with these areas within the building which, if created in a labyrinthine pattern very stimulating, outside cleave the air, just like the propellers of a windmill.
Why Should Office Equipment Be Clean And Hygienic
Day 71 - Crossing n.3
Revised 05/05/2010
- leave the bang of the shell and point to freer forms
- Keywords: circularity, excavation, deformation
- choice of reference: Gehry
Revised 05/05/2010
- leave the bang of the shell and point to freer forms
- Keywords: circularity, excavation, deformation
- choice of reference: Gehry
Saturday, May 1, 2010
Purple Spot On Inner Thigh
Day 64 - Crossing n.2
Revised 4/28/2010
- the open fields of sports, whether indoors or outdoors, must be multi-functional (also usable for parties , concerts, shows with fewer viewers)
-problem in the practice, the choice of Pei and the work volume is not compatible; through the points on the mesh, then for a project that aggregates various books I have to find new references.
- possible references: Gehry and the study NL.
- the presence of sports can also be limited to a single field.
Revised 4/28/2010
- the open fields of sports, whether indoors or outdoors, must be multi-functional (also usable for parties , concerts, shows with fewer viewers)
-problem in the practice, the choice of Pei and the work volume is not compatible; through the points on the mesh, then for a project that aggregates various books I have to find new references.
- possible references: Gehry and the study NL.
- the presence of sports can also be limited to a single field.
Blog Nadine Jansen Vacuum
Day 64 - Partner n.2
I was prepared to meet Achilles Mellini, Director of Tirso de Molina, an unexpected but it was not possible MEETING. The consultancy report was, however, started with his wife and partner, Emanuela Pastorelli.
10 years alongside Mellini, he developed his love for the theater since childhood, beginning his career as a dancer. It was only in 2000 that began a new career, that two years later led her to collaborate with Mellini in the new direction of Tirso de Molina. " we embarked on this endeavor and we left. We were young. And in time also led to the Roman architects. At the beginning of the companies housed amateur, unknown, without a program continues. The resources were limited and the theater was not well known. Then in 2006 there was a meeting with Alfiero Alferi ( biography) that has brought a wave of Roman civilization in our theater. Slowly, after two years of collaboration, we continued on their own. We discovered this little-known world, even among the young, but full of resources and we decided to start this project for the preservation of the Roman Empire. Through comedy and musical shows, we went to the rediscovery of lost traditions, ways of going to represent a Roman Once mostly inspired by the Rome 700centesca. "
With a lineup that includes both classic texts that new proposals, Tirso de Molina, despite being only a theater church basement, is undergoing a genuine transformation thanks to this administration, which deals even the actual production of some arrangements. "In this way we treat some aspects that could be overlooked by handing over the construction to others, which certainly would not have the same goals of our project."
The audience of these shows widened increasingly relying too much on families and on young people. "Surely they have an injury at the beginning, thinking that our theater can be boring and already seen. But then when we are dragged even from his family, then when we start to appreciate and also brings us back to his friends. For four years now we have indeed noticed a considerable increase of young people who follow us. "She is quite skeptical about the project of the City" Curtain Theatre ", which is focusing on comedy rather than drama, although he appreciated the goals and the possibility of establishing a direct relationship between the audience and the artist. "The theatrical language is absolutely the perfect way to learn and apporfondire of issues other than those serving the television, more directly, aiming at people's consciousness" .
As rigrada his theater of dreams, has very clear ideas: "The entrance road would be very large and very visible, with a continuous road. I'd like very large foyer, to be used as an exhibition space for posters, photos and whatever ' other. It would also be interesting to add a library to see dramatic texts and an archive for stills, sketches, etc.. For the hall I wish it were still gathering, with a ceiling is not too high, though not rule out the presence of a tunnel. " In any case, we agree on the importance of the multifunctionality of the rooms and the creation of a real meeting point for everyone, especially for those who love the theater. 
I was prepared to meet Achilles Mellini, Director of Tirso de Molina, an unexpected but it was not possible MEETING. The consultancy report was, however, started with his wife and partner, Emanuela Pastorelli. 10 years alongside Mellini, he developed his love for the theater since childhood, beginning his career as a dancer. It was only in 2000 that began a new career, that two years later led her to collaborate with Mellini in the new direction of Tirso de Molina. " we embarked on this endeavor and we left. We were young. And in time also led to the Roman architects. At the beginning of the companies housed amateur, unknown, without a program continues. The resources were limited and the theater was not well known. Then in 2006 there was a meeting with Alfiero Alferi ( biography) that has brought a wave of Roman civilization in our theater. Slowly, after two years of collaboration, we continued on their own. We discovered this little-known world, even among the young, but full of resources and we decided to start this project for the preservation of the Roman Empire. Through comedy and musical shows, we went to the rediscovery of lost traditions, ways of going to represent a Roman Once mostly inspired by the Rome 700centesca. "
With a lineup that includes both classic texts that new proposals, Tirso de Molina, despite being only a theater church basement, is undergoing a genuine transformation thanks to this administration, which deals even the actual production of some arrangements. "In this way we treat some aspects that could be overlooked by handing over the construction to others, which certainly would not have the same goals of our project."
The audience of these shows widened increasingly relying too much on families and on young people. "Surely they have an injury at the beginning, thinking that our theater can be boring and already seen. But then when we are dragged even from his family, then when we start to appreciate and also brings us back to his friends. For four years now we have indeed noticed a considerable increase of young people who follow us. "She is quite skeptical about the project of the City" Curtain Theatre ", which is focusing on comedy rather than drama, although he appreciated the goals and the possibility of establishing a direct relationship between the audience and the artist. "The theatrical language is absolutely the perfect way to learn and apporfondire of issues other than those serving the television, more directly, aiming at people's consciousness" .
As rigrada his theater of dreams, has very clear ideas: "The entrance road would be very large and very visible, with a continuous road. I'd like very large foyer, to be used as an exhibition space for posters, photos and whatever ' other. It would also be interesting to add a library to see dramatic texts and an archive for stills, sketches, etc.. For the hall I wish it were still gathering, with a ceiling is not too high, though not rule out the presence of a tunnel. " In any case, we agree on the importance of the multifunctionality of the rooms and the creation of a real meeting point for everyone, especially for those who love the theater.
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